Screening Stereo Nostalgia & Telematic Rides Along the Caribbean

Angélica Yaneth Piedrahita Delgado

Screening Stereo Nostalgia & Telematic Rides Along the Caribbean

Angélica Yaneth Piedrahita Delgado (Photographer)

Departamento de Arte y Diseño

Research output: Creative Output/Non-textual form › Exhibition

Abstract

Aided by a mobile viewing device, the artist presented locals with stereoscopic images taken by the Virginia based photographer Horace D. Ashton in 1913 for Underwood & Underwood, and asked them about the places shown. The stereoscopic 3D technique seems to bring up strong experiences and memories of the city. Observers try to locate the images in coherent narrations and in the process, unfold different historical layers of the city as well as contemporary environmental and urban planning problems. The path of the video follows the routes marked by the Victorian-era photographic tour, originally produced to show middle class North Americans a picturesque view of Latin America.

Original language	English
Place of Publication	Buffalo, NY
Media of output	Film
Size	HDV, with sound; 09:48 loop
Publication status	Published - 10 Oct 2019
Event	Buffalo International Film Festival - Buffalo, NY, Buffalo, NY, United States Duration: 10 Oct 2019 → 13 Oct 2019 Conference number: 3 https://www.buffalofilm.org/

Cite this

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title = "Screening Stereo Nostalgia & Telematic Rides Along the Caribbean",

abstract = "Aided by a mobile viewing device, the artist presented locals with stereoscopic images taken by the Virginia based photographer Horace D. Ashton in 1913 for Underwood & Underwood, and asked them about the places shown. The stereoscopic 3D technique seems to bring up strong experiences and memories of the city. Observers try to locate the images in coherent narrations and in the process, unfold different historical layers of the city as well as contemporary environmental and urban planning problems. The path of the video follows the routes marked by the Victorian-era photographic tour, originally produced to show middle class North Americans a picturesque view of Latin America.",

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N2 - Aided by a mobile viewing device, the artist presented locals with stereoscopic images taken by the Virginia based photographer Horace D. Ashton in 1913 for Underwood & Underwood, and asked them about the places shown. The stereoscopic 3D technique seems to bring up strong experiences and memories of the city. Observers try to locate the images in coherent narrations and in the process, unfold different historical layers of the city as well as contemporary environmental and urban planning problems. The path of the video follows the routes marked by the Victorian-era photographic tour, originally produced to show middle class North Americans a picturesque view of Latin America.

AB - Aided by a mobile viewing device, the artist presented locals with stereoscopic images taken by the Virginia based photographer Horace D. Ashton in 1913 for Underwood & Underwood, and asked them about the places shown. The stereoscopic 3D technique seems to bring up strong experiences and memories of the city. Observers try to locate the images in coherent narrations and in the process, unfold different historical layers of the city as well as contemporary environmental and urban planning problems. The path of the video follows the routes marked by the Victorian-era photographic tour, originally produced to show middle class North Americans a picturesque view of Latin America.

UR - https://www.buffalofilm.org/lineup/events/biff-offscreen-stereo-nostalgia-telematic-rides-along-the-caribbean-day-1/

M3 - Exhibition

CY - Buffalo, NY

T2 - Buffalo International Film Festival

Y2 - 10 October 2019 through 13 October 2019

ER -

Screening Stereo Nostalgia & Telematic Rides Along the Caribbean

Abstract

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